Through a brief interview with the developers at Intelligent Systems, US Gamer turned up some neat details on the development process of Code Name: S.T.E.A.M. The tidbits range from the origin of the game’s unique, relatively fast-paced strategy system – which was born from the desire to cut out micromanagement to make the game easier to pick up and fine-tuned in a physical prototype – to the American comic inspiration to the art design. The team apparently put a lot of work into researching the game to make the characters more authentic to their roots, and wanted to take the chance to inspire the curiosity of Japanese audiences who are unfamiliar with many of the title’s names and faces (except for President Lincoln).

“For Japanese people, we didn’t understand who [any of the characters were] outside of President Lincoln. The conversation I had with Paul [Petrashcu, Creative Director] was that even though these characters weren’t necessarily well-known among Japanese players, because they were famous in the US, it might be an interesting opportunity for Japanese players to learn about them through the game. Even though Japanese players aren’t familiar with these characters, I thought he had a really good argument for how they could be used here.”
— Hitoshi Yamagami, Producer

They didn’t just think of Japanese audiences, though. The team gave the American localization team a lot of freedom to take advantage of the differences in their audience’s background knowledge.

“A lot of [S.T.E.A.M.’s] humor was brought to the floor very nicely by the localization [team] at Nintendo of America. They understood our intent, and took the dialogue and back story to some wonderful places. The jokes that they carried through, I think, work very well. Of course, we originally wrote the scenario in Japanese, but when we handed it off for translation, I conveyed to the [localization] team I hoped that they would work with as much freedom as possible because I wanted all of the contributions they could make to this project.”
— Paul Petrashcu, Creative Director

“Milton is one of the characters in the game, and in order to get a voice for Milton, we were reading through his wartime journals when he was alongside Lincoln. It goes without saying we were really well-versed with all the source material—we were looking at Tom Sawyer novels to make sure there were some in-jokes in there. We were looking at how we could make period Nintendo jokes; I’m sure if you look hard enough at one of the posters, there’s text describing an old Donkey Kong nickelodeon [the famous theater], that kind of thing.”
— Ryan Kelley, NOA Localization

The game’s mechanics went through a lot of changes during early development, which rested heavily on the results of their prototyping.

“We prototype our games on paper, and we spend a lot of time playing those. Over the course of playing a lot of this paper prototype version, I think that some of the ideas might have become a bit more solid from that form in the design process to create [Code Name: S.T.E.A.M.].”

“The reason that we [eliminated micromanagement] was for accessibility to new players. That really was the starting point for a lot of our design conversations. We wanted the player to be able to rely on what they see around them. We wanted that to be a sufficient experience in terms of providing them information about the game—without having to resort to some sort of abstract parameters and systems that would be a little bit less intuitive. So we wanted everything that existed in the game in terms of audio and visuals to communicate information to the player and not cause them to have to spend a lot of time adjusting outside of battle.”
— Paul Petrashcu, Creative Director

They also seem to have had some ambitions for the art style that didn’t pan out exactly as they’d hoped – wanting something out of an American comic. It didn’t translate to the screen very well, however, and so it saw some changes.

“When we set out to recreate the feeling of [American] comic art, and tried to recreate the same pen touch—that kind of feeling to the actual stroke… We noticed that some visual elements made the game a little bit harder to play. So we made some light revisions there, and landed on the style you see in [S.T.E.A.M.] now. At first, we [created] a color palette that was really faithful to the printing technology of the time. But once implemented, we found that it did make the game a little bit hard to play in some situations. So we made adjustments as appropriate—as little as possible—as we went. And where we ended, you’ll notice the enemies have sort of a colder, bluer palette to them, whereas your allies have a warmer palette—a lot of orange and red.”
— Takako Sakai, Art Director

Source: US Gamer

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Stefan Terry
One of my earliest memories with games was just after Pokémon had come out in the states for the first time. I remember, after having watched the show for a couple weeks, stumbling across a friend with an original Gameboy playing Pokémon Red version using a Weedle. When he told me he was playing Pokémon, I told him I didn't know there was a Pokémon that had a pumpkin for a head. Boy games have come a long way. Speaking of games, I also contribute to making them somewhat professionally, and ocassionaly write about them. You should see some of that games writing stuff, I hear it's real popular with the kids these days.

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